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Showing posts with label Mary Rehak. Show all posts
Showing posts with label Mary Rehak. Show all posts

Tuesday, December 1, 2009

Concert Review: Cursive live at Mohawk


Cursive live from Mohawk (photo by Mary Rehak)

I remember getting Rolling Stone Magazine in the early part of the decade, which is where I first heard of the Omaha, Nebraska indie band, Cursive. I remember that same day I found a used copy of The Ugly Organ at the now defunct neighborhood CD Warehouse. With used copies, they used to let you listen to it in one of their store stereos with headphones on before you bought it. I know I’m dating myself here, but I miss that experience. The instant after “Some Red Handed Slight of Hand” came on through my headphones, my music collection had a new permanent addition. Saturday night at Mohawk, Cursive finally took to the stage in front of me after all these years of waiting. I remember that feeling I got years ago when I first heard The Ugly Organ in CD Warehouse. That’s the feeling I got from Cursive Saturday night at Mohawk.

As I arrived at Mohawk I caught the set of Cursive’s current touring mate and fellow Omaha brethren, Capgun coup. I thought it was an interesting paring to say the least. I think the hundreds of Cursive fans at Mohawk felt differently. While Austin indie crowds always clap politely, very few people in attendance were feeling these guys. It was evident from the band member’s faces that it was the vibe they got as well.

I think they really lost the crowd when they introduced their song, “Wish I was a fag”. The word “fag” regardless of meaning or connotation is not something that will go over with the open minded, liberal hipster audiences in Austin, Texas. If you listen to the song, it’s not meant to be used with a homophobic connotation, but it was just not a good idea to perform it when that audience was on the fence about you to begin with. I didn’t think they were all that terrible. I enjoyed their last song, not because it was their last song but because it was entertaining. It was called “Bad Bands”. The lead singer even introduced the song by saying “this is about bands like us” and got a laugh out of the audience. It was very basement party rock and the only song I’d actually download from them.

After what felt like a short set from Capgun Coup, the band we all came to see was setting up. It was a trip because it was only 10:50pm and the headliner was almost ready to go on. Gone are the days of late outdoor shows on Red River. I keep forgetting about that stupid noise ordinance, or I keep trying to anyway. Still, with perfect weather on a Saturday, Cursive going on earlier than I expected was just fine with me.

After they started off the set with “The Martyr”, a rush really took over me as started to perform “I Couldn’t Love You”, my favorite song off their current album Mama I’m Swollen. Lead singer Tim Kasher almost sounded like the CD itself, except he brought the high notes a little higher and threw in some more angst. The trumpet/organ player was great in that his trumpet playing didn’t overpower Kasher’s vocals. Again, it was all very close to CD like quality.

Shortly after, Cursive broke into The Ugly Organ album with “Gentleman Caller” and later “Butcher The Song” much to the diehard crowd’s appreciation. My favorite song from The Ugly Organ didn’t come until toward the set’s end with the ever-so angsty “Sierra”. It was nice to be around other people who scream “Sierra” out loud. I thought I was the only person who did that while alone in my room at two in the morning.

The most enjoyable part of the set for me was everything from Mama I’m Swollen, Cursive’s latest album. I think it because that is the Cursive album that reminded me how much I enjoy their music, because it had been since The Ugly Organ that I really liked something from them. Also, it is the album I have been listening to all year since I reviewed it. Being that it was all fresh in my head, I was more than ready to hear those songs live. I thought they were going to end the night with “From The Hips” as it would have been my choice for a closer. Instead they went with “Big Bang” from their Domestica album. Hearing how good “Big Bang” sounded live actually got me thinking about revisiting that album. What more can be said really? What an experience.


Cursive live from Mohawk (photo by Mary Rehak)

After their set lead singer Tim Kasher made sure everyone in attendance knew that their friends and Saddle Creek Records label mates, The Old Canes, were playing at Emo’s. Being that it was only around midnight, off we all went.

Cursive's set list from Saturday's concert:
The Martyr
I Couldn't Love You
Gentleman Caller
Dorothy at 40
Mama I'm Swollen
Butcher The Song
A Red So Deep
Retreat!
The Recluse
Mama I'm Satan
Mothership Mothership Do You Read Me
Sierra
What Have I Done
Art is Hard
The Casualty
From The Hips
Big Bang

(Review written for and published on www.doublestereo.com)


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Monday, November 30, 2009

Concert Review: J Tillman at Mohawk


 
photo by Mary Rehak

Friday night was yet another perfect night in Austin, Texas. The weather was cool, but not cold. With almost a full moon to light up the night sky and a few visible stars, the setting for a J. Tillman concert outdoors couldn’t have been any better if it were scripted in a Hollywood indie film. The drummer from Fleet Foxes was at the mic singing while playing guitar in front of a bunch of bearded hipsters wearing flannels and indie couples sitting down on the cold pavement floor of Mohawk.

In all my years of coming to see shows at Mohawk, I have never seen a show where most of the audience was sitting down in front of the outdoor stage. It was a nice change and appropriate for the type of live show Tillman and his backing band perform.  It isn’t like anyone is going to be starting a pit or crowd surfing at this show. My only qualm with sitting on the pavement to watch the show was getting stuck in front of the only drunk idiot trio of wannabe hipsters who couldn’t shut up there for a while. Still, not even they could have ruined a great performance by Tillman.


photo by Mary Rehak

That being said, even I was taken by surprise at how much I enjoyed Tillman’s set. He played a good mix of his singer song-writer, coffee house folk I came to expect along with some pretty angsty sounding, ambient indie rock. You should have seen Tillman’s wild Rick Rubin-esque beard blowing in the wind and waving around as he aggressively strummed his electric guitar. Simply put, Tillman and company put a lot of the young post rockers I’ve seen to shame. Again, I thought he was all coffee shop and had no idea he rocked like that.

The other surprise of the night was how funny Tillman could be. It wasn’t like stand up funny, but more like nerdy music guy funny. He shared his story about his Waterloo Records music purchase with the crowd, as he played an in store earlier in the day there. Apparently, Waterloo’s owner gives performers a discount on purchases while there at Waterloo. According to Tillman, the owner wanted to see what he had purchased with his discount. Tillman assumed it was probably in hopes of seeing what great album or obscure vinyl he may have picked out, but Tillman only had a Battlestar Galactica DVD in hand. He stopped the story there, but that’s all that needed to be said really.

Tillman also made reference to Robbie Williams of all people, when thanking the audience for cheering a minute before a song was over. He wasn’t being snarky, but rather trying to communicate how awesome he felt to have people cheering while he was playing music and singing the way people do when they see someone like Robbie Williams. It just took us all by surprise to hear the name “Robbie Williams” come out of this awesomely bearded rock star’s mouth. Did I mention his beard was awesome?


photo by Mary Rehak

Overall, the best part of the show was the music. Having performed songs mostly from his latest album, Year in the Kingdom, Tillman reminded me how much more I like his music in comparison to Fleet Foxes. If I wasn’t so close to the stage to clearly see and hear Tillman, I would have sworn I was listening to the CD itself. He was that spot on vocally Friday night, only with a much fuller sound given he had his whole band backing him. Too bad no one was recording this for a live video. This would have been the show to do it. The sound…the setting…everything was perfect.

Set List from Friday Night's concert:

All You See
When I Light Your Darkened Door
No Occasion
Firstborn
Vacilando Territory
Vessels
Howling Light
Crosswinds
Though I Have Wronged You
Barter Blues
Master's House
There Is No Good In Me
New Imperial Grand Blues

(Review written and published on www.DoubleStereo.com)


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